, English, Book, Illustrated edition: Harald Szeemann: exhibition maker / Hans-Joachim Müller ; [English translation, Leila Kais]. Müller, Hans-Joachim. Harald Szeemann: exhibition maker. Front Cover. Hans-Joachim Müller. Hatje Cantz, Bibliographic information. QR code for Harald Szeemann. Harald Szeemann – Exhibition Maker. Harald Szeemann () was one of the most influential curators of the recent past. An entire generation of.

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This area is reserved for members of the news media. View online Borrow Buy Freely available Show 0 more links Szeemann was largely concerned with traditional structure of the Biennale and believed the treatment of artists during installation required improvement. Art museum curators — Switzerland. Szeemann believed to be showing artwork contrary to the opinions of critics and the public.

Amalie marked it as to-read May 19, Evgenia Kolydaki rated it really liked it Jan 05, For decades Szeemann worked out of a studio, which he referred to as “The Factory,” in the Swiss village Tegnawhere he conceived international exhibitions and experimented with traditional museological practices. Add a review and share your thoughts with other readers.


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Alan Newnham marked it as to-read Nov 09, Write a review Rate this item: Style is no longer the important issue. The choice for the Fourth Biennial, inwas Harald Szeemann. Please enter your name.

If you qualify, please update your user profile and check the box marked “Check here to register as an accredited member of the news media”. Found at these bookshops Searching – please wait The representation of 15 has been reduced to five people; one representing the city, another the region, another the province, another the National Government, and lastly an unaffiliated third party. Home Exhibiiton Help Search. Open Preview See a Problem?

Harald Szeemann: Exhibition Maker

Hol Art Books added it Sep 14, This single location in Victoria: Retrieved 5 February To see what your friends thought of this book, please sign up. Add a tag Cancel Be the first to add a tag for this edition.

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Changing the inner structure of the Biennale, breaking up the divisions, and expanding the space were among Szeemann’s contributions. With the last two Biennales as example, under the directorships of Jean Clair and Germano Celant, Szeemann determined that the international exhibition and national pavilions should be dedicated to young artists and he informed this to all participating countries.


The E-mail Address es you entered is are not in a valid format. The Future Lies in the Bal kans and Visionary BelgiumSzeemann took a singular approach to the representation of single nations and cultural regions, bringing together a remarkable range and number of cultural artifacts that often featured graphic wallpapers, salon-hung walls, and impressive large-scale installations.

A Brief History of Curating. Paola Calatayud marked it as to-read Apr 28, Then set up a personal list of libraries from your profile page by clicking on your user name at the top right of any screen.

Press Release

From the website of Christo and Jeanne-Claude. Szeemann was hospitalized for pleural cancer in Locarno, [6] Switzerland and died in at the age of 71 in the Ticino region. Museum of Obsessions will be accompanied by two books from Getty Publications: Linked Data More exhibbition about Linked Data.